Painting
Lorenzo Costa - "Virgin & Child" - 1492
John Berger, from "Ways of Seeing"
“If we accept that we can see that hill over there, we propose that from that hill we can be seen.
The reciprocal nature of vision is more fundamental than that of spoken dialogue.
And often dialogue is an attempt to verbalize this—an attempt to explain how, either metaphorically or literally, ‘you see things’, and an attempt to discover how ‘he sees things.’”
Rene Magritte - “The Interpretation of Dreams” - 1935
Agnolo Bronzino - “Venus, Cupid, Time, and Love” - 1545
Johannes Vermeer - “Maid with Milk Jug” - 1657
Dante Rossetti - "Love's Greeting" - 1861
Daphnis and Chloe
by John-Pierre Cortot, at The Louvre
Francois Gerard - 1825
Simeon Solomon - "Annunication"
Jan Brueghel & Peter Paul Rubens - "The Sense of Sight", 1617
Trina Schart Hyman from "Two Queens of Heaven"
Jack Whitten - 'Quantum Wall VIII (for Arshile Gorky, My First Love in Painting' (2017)
Jeff Aeling - "Pond East of Dodge City, KS" (2009)
Katherine Lewis - "Swimmers" (2024)
Pierre-Auguste Renoir - "Young Woman with Raised Arms" (1895)
Gerhard Richter - "Four Paintings"
Dorf (Village) - 1988
Verwaltungsgebäude (Administrative Building), 1964
Fenster (Window), 2002
Lesende (Reader), 1994
Renoir - "Two Girls" (1892)
Dan Flavin - "(quietly, to the memory of Mia Visser)", 1977
“Titles play an important part: by the mention of the name of a person to whom the work is dedicated after the neutral Untitled, that work acquires an individual note and meaning. Sometimes this is private, but it can also related to a well-known person. The title The Nominal Three (to William of Ockham) of 1963 is of particular significance. Ockham (d. 1349), an excommunicated Franciscan, made a distinction between faith and knowledge and held that reality consists only of individual things, an important idea to Flavin.”
- From the Kroller-Muller Museum Catalogue
Claude Monet - "Impression, Sunrise", 1872
Bart Van Der Leck and Balthus
Bart Van Der Leck - The fruit-seller
Balthus - The Street