The Beach of Les Grands Sables at Le Pouldu, 1890
Breton Girl, 1890
The Harvest of Buckwheat, 1899
The Beach of Les Grands Sables at Le Pouldu, 1890
Breton Girl, 1890
The Harvest of Buckwheat, 1899
“The you encounters me by grace—it cannot be found by seeking. But that I speak the basic word to it is a deed of my whole being, is my essential deed.
The You encounters me. But I enter into a direct relationship to it. Thus the relationship is election and electing, passive and active at once: An action of the whole being must approach passivity, for it does away with all partial actions and thus with any sense of action, which always depends on limited exertions.
The basic word I-You can be spoken only with one’s whole being. The concentration and fusion into a whole being can never be accomplished by me, can never be accomplished without me. I require a You to become; by becoming I, I say You.
All actual life is encounter.”
- M. Buber
I think I could turn and live with animals, they are so placid and self-contain'd,
I stand and look at them long and long.
They do not sweat and whine about their condition,
They do not lie awake in the dark and weep for their sins,
They do not make me sick discussing their duty to God,
Not one is dissatisfied, not one is demented with the mania of owning things,
Not one kneels to another, nor to his kind that lived thousands of years ago,
Not one is respectable or unhappy over the whole earth.
“….One October long ago the singsong
of trick-or-treat made me so aware of the body,
how our homes are our body, how you’re choosing another
body. Barns in my hands, bobby pins—my whole body
is a womb. Prepare this place for bed.
My mother calls and says she’s going to the Frick this weekend, as if everyone
knows what the Frick is, the cross streets, its smell of manure
the horse carriages leave behind.
I feel like my body hasn’t left that moment long ago
when my mother opened her mouth and pain flew in,
how synonymous it became to vulnerability. Waiting for this train,
I am and am not a woman, in a suit.”
“There are many modes of I-You.
Kant told men always to treat humanity, in our person as well as that of others, as an end also and never only as a means. This is one way of setting off I-You from I-It. And when he is correctly quoted and the “also” and the “only” are not omitted, as they all too often are, one may well marvel at his moral wisdom.
Innumerable are the ways in which I treat You as a means. I ask your help, I ask for information, I may buy from you or buy what you have made, and you sometimes dispel my loneliness.
Nor do I count the ways in which You treat me as a means. You ask my help, you ask me questions, you may buy what I have written, and at times I ease your loneliness.
Even when you treat me only as a means I do not always mind. A genuine encounter can be quite exhausting, even when it is exhilarating, and I do not always want to give myself.
Even when you treat me only as a means because you want some information, I may feel delighted that I have the answer and can help.
But man’s attitudes are manifold, and there are many ways of treating others as ends also. There are many modes of I-You.
You may be polite when asking; you may show respect, affection, admiration, or one of the countless attitudes that men call love.
Or you may not ask but seek without the benefit of words. Or you may speak but not ask, possibly responding to my wordless question. We may do something together. You may write to me. You may think of writing to me. And there are other ways. There are many modes of I-You.”
“…The room was cold, that had been warm for so long. Flowers, bottles, plates, all sick-room litter was taken away; everything was harsh and austere. She lay raised on the bed, the sweep of the sheet from the raised feet was like a clean curve of snow, so silent.”
“…Earth’s the right place for love:
I don’t know where it's likely to go better.”
“…The aristocratic element in the doctrine of courage was preserved as well as restricted by Aristotle. The motive for withstanding pain and death courageously is, according to him, that it is noble to do so and base not to do so. The courageous man acts ‘for the sake of what is noble, for that is the aim of virtue.’ ‘Noble,’ in these and other passages, is the translation of kalós and “base” is the translation of aischró, words which usually are rendered by ‘beautiful’ and ‘ugly.’ A beautiful or noble deed is a deed to be praised. Courage does what is to be praised and rejects what is to be despised. One praises that in which a being fulfills its potentialities or actualizes its perfections. Courage is the affirmation of one’s essential nature, one’s inner aim or entelechy, but it is an affirmation which has in itself the character of ‘in spite of.’ It includes the possible and, in some cases, the unavoidable sacrifice of elements which also belong to one’s being but which, if not sacrificed, would prevent us from reaching our actual fulfillment. This sacrifice may include pleasure, happiness, even one’s own existence. In any case it is praiseworthy, because in the act of courage the most essential part of our being prevails against the less essential. It is the beauty and goodness of courage that the good and the beautiful are actualized in it. Therefore it is noble.”
“…Watch out for love
(unless it is true,
and every part of you says yes including the toes),
it will wrap you up like something in a sheet,
and your shout won't be heard
and none of your running will end.
Love? Be it man. Be it woman.
It must be a wave you want to glide in on,
give your body to it, give your laugh to it,
give, when the gravelly sand takes you,
your tears to the land. To love another is something
like prayer and can't be planned, you just fall
into its arms because your belief undoes your disbelief."
"The four of us swam and then ate lobster and swam some more. In the morning the sun shone through the wooden shutters making stripes on Max and Ben and Keith. I sat up in bed, looking at them, with happiness.
Max would carry each boy to bed and tuck him in. Kiss him sweet, the way he had kissed his father. Max slept as deeply as they. I thought he must be exhausted from what we were doing, his leaving his wife, taking on a family.
He taught them both to swim and to snorkel. He told them things. Just things, about life, people he knew. We interrupted one another telling him things back. We lay on the fine sand on Caleta Beach, warm in the sun. Keith and Ben buried me in the sand. Max's fingers tracing my lips. Bursts of color from the sun against my closed sandy eyelids. Desire."
‘…“In Job,” says that coldly truthful writer, the author of Mark Rutherford, “God reminds us that man is not the measure of his creation. The world is immense, constructed on no plan or theory which the intellect of man can grasp. It is TRANSCENDENT everywhere. This is the burden of every verse, and is the secret if there be one, of the poem. Sufficient or insufficient, there is nothing more.... God is great, we know not his ways. He takes from us all we have, but yet if we possess our souls in patience, we MAY pass the valley of the shadow, and come out in sunlight again. We may or we may not! ... What more have we to say now than God said from the whirlwind over two thousand five hundred years ago?”’