Graham Swift, from "Tomorrow"

“Art’s not for the very young? For you it’s just ‘stuff.’ You have to have grown up and had a taste of loss. I’ll explain that later. Art’s just compensation? I’m not saying that either…But two people who in most other respects may be entirely mismatched can still thrill together to a third thing, a passion shared. The light falling round people in a painting which is like the light falling round real people too, except it can’t go out.”

"Degrees of Gray in Phillipsburg" - Richard Hugo

You might come here Sunday on a whim.   
Say your life broke down. The last good kiss   
you had was years ago. You walk these streets   
laid out by the insane, past hotels   
that didn’t last, bars that did, the tortured try   
of local drivers to accelerate their lives.   
Only churches are kept up. The jail   
turned 70 this year. The only prisoner   
is always in, not knowing what he’s done.

The principal supporting business now   
is rage. Hatred of the various grays   
the mountain sends, hatred of the mill,   
The Silver Bill repeal, the best liked girls   
who leave each year for Butte. One good   
restaurant and bars can’t wipe the boredom out.   
The 1907 boom, eight going silver mines,   
a dance floor built on springs—
all memory resolves itself in gaze,
in panoramic green you know the cattle eat   
or two stacks high above the town,   
two dead kilns, the huge mill in collapse   
for fifty years that won’t fall finally down.

Isn’t this your life? That ancient kiss
still burning out your eyes? Isn’t this defeat
so accurate, the church bell simply seems
a pure announcement: ring and no one comes?   
Don’t empty houses ring? Are magnesium   
and scorn sufficient to support a town,   
not just Philipsburg, but towns
of towering blondes, good jazz and booze   
the world will never let you have
until the town you came from dies inside?

Say no to yourself. The old man, twenty   
when the jail was built, still laughs   
although his lips collapse. Someday soon,   
he says, I’ll go to sleep and not wake up.   
You tell him no. You’re talking to yourself.   
The car that brought you here still runs.   
The money you buy lunch with,
no matter where it’s mined, is silver   
and the girl who serves your food
is slender and her red hair lights the wall.

- Richard Hugo

Livy, from "The Early History of Rome"

“The three young men reached Delphi, and carried out the king’s instructions. That done, Titus and Arruns found themselves unable to resist putting a further question to the oracle. Which of them, they asked, would be the next king of Rome? From the depths of the cavern came the mysterious answer: ‘He who shall be the first to kiss his mother shall hold in Rome supreme authority.’

Titus and Arruns were determined to keep the prophecy absolutely secret, to prevent their other brother, Tarquin, who had been left in Rome, from knowing anything about it. Thus he, at any rate, would be out of the running. For themselves, they drew lots to determine which of them, on their return, should kiss his mother first.

Brutus, however, interpreted the words of Apollo’s priestess in a different way. Pretending to trip, he fell flat on his face, and his lips touched the Earth—the mother of all living things.”

James Wright - "The Journey"

Anghiari is medieval, a sleeve sloping down   
A steep hill, suddenly sweeping out
To the edge of a cliff, and dwindling.
But far up the mountain, behind the town,   
We too were swept out, out by the wind,   
Alone with the Tuscan grass.

Wind had been blowing across the hills
For days, and everything now was graying gold   
With dust, everything we saw, even
Some small children scampering along a road,   
Twittering Italian to a small caged bird.   
We sat beside them to rest in some brushwood,   
And I leaned down to rinse the dust from my face.

I found the spider web there, whose hinges   
Reeled heavily and crazily with the dust,
Whole mounds and cemeteries of it, sagging   
And scattering shadows among shells and wings.   
And then she stepped into the center of air   
Slender and fastidious, the golden hair
Of daylight along her shoulders, she poised there,   
While ruins crumbled on every side of her.   
Free of the dust, as though a moment before   
She had stepped inside the earth, to bathe herself.

I gazed, close to her, till at last she stepped   
Away in her own good time.

Many men
Have searched all over Tuscany and never found   
What I found there, the heart of the light   
Itself shelled and leaved, balancing   
On filaments themselves falling. The secret
Of this journey is to let the wind   
Blow its dust all over your body,
To let it go on blowing, to step lightly, lightly
All the way through your ruins, and not to lose
Any sleep over the dead, who surely   
Will bury their own, don’t worry.

- James Wright

Nathaniel Hawthorne, from "The Scarlet Letter"

“…They sat down again, side by side, and hand clasped in hand, on the mossy trunk of the fallen tree. Life had never brought them a gloomier hour; it was the point whither their pathway had so long been tending, and darkening ever, as they stole along; — and yet it enclosed a charm that made them linger upon it, and claim another, and another, and, after all, another moment. The forest was obscure around them, and creaked with a blast that was passing through it. The boughs were tossing heavily about their heads; while one solemn old tree groaned dolefully to another, as if telling the sad story of the pair that sat beneath, or constrained to forebode evil to come.

And yet they lingered. How dreary looked the forest-track that led backward to the settlement, where Hester Prynne must take up again the burden of her ignominy, and the minister the hollow mockery of his good name! So they lingered an instant longer. No golden light had ever been so precious as the gloom of this dark forest. Here, seen only be his eyes, the scarlet letter need not burn into the bosom of the fallen woman! Here, seen only by her eyes, Arthur Dimmesdale, false to God and man, might be, for one moment, true!…”

- From Chapter 17, The Pastor and his Parishioner”

James Wright - "Poems to a Brown Cricket"

1.

I woke,
Just about daybreak, and fell back
In a drowse.
A clean leaf from one of the new cedars
Has blown in through the open window.
How long ago a huge shadow of wings pondering and hovering
leaned down
To comfort my face.
I don’t care who loved me.
Somebody did, so I let myself alone.
I will stand watch for you, now.
I lay here awake a long time before I looked up
And found you sunning yourself asleep
In the Secret Life of Jakob Boehme
Left open on the desk.


2.

Our friends gave us their love
And this room to sleep in.
Outside now, not a sound.
Instead of rousing us out for breakfast,
Our friends love us and grant us our loneliness.
We shall waken again
When the courteous face of the old horse David
Appears at our window,
To snuffle and cough gently.
He, too, believes we may long for
One more dream of slow canters across the prairie
Before we come home to our strange bodies
And rise from the dead.



3.

As for me, I have been listening,
For an hour or so, now, to the scampering ghosts
Of Sioux ponies, down the long road
Toward South Dakota.
They just brought me home, leaning forward, by both hands
clinging
To the joists of the magnificent dappled feathers
Under their wings.


4.

As for you, I won’t press you to tell me
Where you have gone.
I know. I know how you love to edge down
The long trails of canyons.
At the bottom, along willow shores, you stand, waiting for twilight,
In the silence of deep grass.
You are safe there, guarded, for you know how the dark faces
Of the cliffs forbid easy plundering
Of their beautiful pueblos:
White cities concealed delicately in their chasms
As the new eggs of the mourning dove
In her ground nest,
That only the spirit hunters
Of the snow can find.

5.

Brown cricket, you are my friend’s name.
I will send back my shadow for your sake, to stand guard
On the solitude of the mourning dove’s young.
Here, I will stand by you, shadowless,
At the small golden door of your body till you wake
In a book that is shining.


Margaret Ray - "Garden State"

The world smells green & wet & today I
am in a postlapsarian good mood 
as I meander by the Raritan canal, 
no longer moving in a deadly torpor 
like a winter fly, but thinking once again 
(the warming weather) about sex in a good way, 
how all those smells you’re supposed to be ashamed of 
or wash away smell good once you know a thing or two, 
& it’s finally humid enough, this second day 
after the rains, it is spring in New Jersey, 
I itch my eyes freely & blink down on gnats 
that seem determined to die in my field of 
so-close-I-can’t-see-them, & people are out, 
look at all their beautiful bodies, so many 
ankles & knees, clicking whizz of bike wheels, 
car exhaust hanging in the thick air, 
helmets pressing sweaty hair to sticky foreheads, 
a racket of motors on the other side of these trees, 
early evening: the light just now is furtive, holy, 
this is no prologue but the thing itself, the mud 
& the grease & the grass & the wet asphalt 
on one of those steaming, streaming, sunlit evenings 
after a week of rain that brought out the frogs 
to cover the road up the hill. There they were. 
No one knew where they were going.

(from https://poets.org/poem/garden-state)